Intellectual Outputs

What is an Intellectual Output?

  • Content = methodology, artistic production (text of a play for instance),
    results of a research
  • shape = pdf (handbook), video tutorial, audio files…
  • > conception-creation = teacher/trainer + technician

Target groups

1. European stakeholders : facilitators, youth workers, project designers, project coordinators… Young or confirmed artists that develop projects involving their artistic skills and youth workshops. Teachers from the informal education field.

2. Youngsters that volunteer for the experiences that combine artistic expression and active citizenship. 

3. NGOs involving youth groups in major citizenship-related stakes. 

4. The members of the consortium and the associated partners. 


Construction of the IO for Europefiction Academy project

6 IOs in 2 categories:

  • IOs 1, 2 3 = Digital
  • IOs 4, 5, 6 = Urban art

Construction of each IO

  • 2 associated artistic structure (from the partnership): Together they create the design of the methodology for their IO
  • 1 testing artistic structure (from the partnership)
  • several associated structures (not necessarily from an artistic framework and not from the partnership) proposed by the partners in charge of the writing of the methodology 

Content : common elements to all IO

Prepare a technical framework easy to use by participants, meaning that the facilitator has to be trained and ready to manage those tools. 

Create new ice-breaking/energisers adapted to remote work.

Define “rules of the game” regarding feedback (live, written, immediate or on a board…). Participation through emojis, thumbs up, GIFs, etc.. Questions and Answers and FAQs management. 

Create commitment and a sense of belonging. Escaping from ghosts participants.

Dispatch roles so the participants have specific task and missions


Content : common elements to all IO

  • Establish rituals. For the opening and for the closing. 
  • Include casual times with quick free online games that create connections out of the main workshop.
  • Define precisely the objective of each session. Allow participants to know why he/she is there, what is expected from him/her.
  • Pay attention to time management and a well-framed activity. 
  • Vary the formats. Alternate moments online and moments for personal research and thinking, moments of group discussion and moments of physical group expression (choreography) for example.

Tasks leading to the IO production/methodology 1/2

2 structures in charge of designing the methodology, will follow an agenda made of 8 steps. 1 artist and 1 technician from the 2 organisations will be involved.


Tasks leading to the IO production/methodology 2/2

2 structures in charge of designing the methodology, will follow an agenda made of 8 steps. 1 artist and 1 technician from the 2 organisations will be involved.